The centre of interest in virtually all short stories is the dynamic interaction between the effects of these actions on each other, and characters; what people unbelievable death story say and do to each other, how they influence and impact each other. This unbelievable narrative also explains God's perfect setup in arranging for His Son Jesus Christ to come to our world in the flesh, to visit the cross to die for all of the sins of mankind - therefore restoring our divine link back to God the Father and gaining us entrance into heaven when all of US die and cross over.
Amount 90 content played out in a series of day-to-day quests - some factions with overall story arcs that explained only what they were up to and gave you a great idea of who these various organizations were, others with little in the way of explanation, like the August Celestials that will probably unbelievable death story remain an enigmatic mystery permanently.
In effect while composing the story in much the same we have to adopt the personality of the central character Manner an actor adopts the personality of the character he's unbelievable death story playing on stage. There is never any need to describe a character simply for the sake of it. Like everything else in the story characterisation is barely relevant insofar as it leads to the plot, and should be done through actions.